Dok ([info]cyberinsekt) wrote,
@ 2007-12-01 10:28:00
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Zorn/Lewis/Frisell - Blue Minor, take 2
For a man who's usually labelled just as a jazz musician, John Zorn has had an unusually varied career. He has written and played jazz, modern classical, film music, klezmer, hardcore punk, blues and avant garde. I can think of no other musician whose name on the cover is a less reliable guide as to the music inside.

So let's clarify things: this is Zorn playing bebop. Blue Minor is a great tune written by Sonny Clark, and comes from a 1994 album of bop covers called News For Lulu. One of the extraordinary things about this record is that the sound is so thin and reedy you could swear that the music being played was not from the '50s but the '20s. The playing hints at this as well. It's short and clipped in the manner of classic bop, but it's also somehow polite and mannered. Together, this sounds fantastic. Zorn's alto, George Lewis' trombone and Bill Frisell's guitar all have plenty of space to twist around each other, and they really sound like they're enjoying playing together. It's a absolute delight, and, with the exception of its sequel, unlike every other Zorn album.

Zorn/Lewis/Frisell - Blue Minor, take 2



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(Anonymous)
2007-12-08 04:55 pm UTC (link)
Quote:
"It's a absolute delight, and, with the exception of its sequel, unlike every other Zorn album."

So, are you saying most other Zorn albums are not a delight to listen to? You should have another listen to Masada which, for my 2-cents worth, is one of the most amazing jazz projects ever to exist. Or, at least listen to Naked City. There is too much to enjoy!

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[info]cyberinsekt
2007-12-09 10:42 am UTC (link)
Hell no, with the probable exception of Cobra, I love the music of Zorn. The misunderstanding is my fault for being too compact with my writing style, and effectively running two sentences together. I was saying that the two News for Lulu albums stand apart from the rest of his albums. Or rather, they stand even farther apart than most of the others. My favourite of late has been Buck Jam Tonic, a set he recorded with Bill Laswell and Tatsuya Nakamura. It's far from being his most difficult, and it's filled with such drive and energy and joy that it's a crime it isn't better known.

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(Anonymous)
2007-12-09 05:53 pm UTC (link)
Got 'cha. And I agree. I saw him with Masada at the U of MN (original and best line up with Cohen, Douglas, and the percussion god Joey Baron) and they not only killed, it was mass-murder.

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